Well, it looks like Marianne Faithful is giving part of the tour and talking about the wonders of Cocteau. My first thought is would Cocteau reveal his sins before God in the house of God. Cocteau is the Michelangelo of France in a small fisherman town and he keeps the bawdiness out of the art (for the most part, though there may be some playful suggestions). I admire his restraint for the body is sacred to him -- when does he not paint the body? But there is also a part of him that rises up beyond the body, almost Platonic, to grasp the sun. The ladder of Love (Stairway to Heaven) in Plato's Symposium or escaping the world of shadows in Plato's Republic are suggested here. There doesn't appear to be any shadows, though there is L'Enfant Terrible on the docks, but still a movement up toward the sun. A nice mix of Greek paganism and Christianity.
One note: You can have this translated to English while watching. Hit subtitle, auto translate, and scroll down to choose English. It's not great, but it's some help...
Well, it looks like Marianne Faithful is giving part of the tour and talking about the wonders of Cocteau. My first thought is would Cocteau reveal his sins before God in the house of God. Cocteau is the Michelangelo of France in a small fisherman town and he keeps the bawdiness out of the art (for the most part, though there may be some playful suggestions). I admire his restraint for the body is sacred to him -- when does he not paint the body? But there is also a part of him that rises up beyond the body, almost Platonic, to grasp the sun. The ladder of Love (Stairway to Heaven) in Plato's Symposium or escaping the world of shadows in Plato's Republic are suggested here. There doesn't appear to be any shadows, though there is L'Enfant Terrible on the docks, but still a movement up toward the sun. A nice mix of Greek paganism and Christianity.