“Fontana,” lead track of “Caliban & The Chrome Harmonium,” the piano/keyboard instrumental album recorded circa 1992-2000. (mp3 attached)
“Caliban” originally released to only a few (literally) individuals, later to become more accessible.
Given Nelson’s volume of productivity, I tend to carve off the tracks I want to hear all the time and to disrespect albums as wholes.
“Caliban” is an album I would never disturb, reduce, or redistribute.
Utterly coherent and absolutely different from any other Nelson creation. A complete embrace of minimally-adorned, transfixing melodies, delivered with great feeling and nuance by Nelson as keyboardist.
“Caliban” is so playful and so moving in its frequent turns, and it is as ambitiously “naked” as Nelson ever allowed himself to be, arguably.
I hold it close and play it frequently, end to end.
Night Boats Pass Beneath The Stars ✨ 🛥️
My Giddy Levitation from Studio Cadet
The Glass Breakfast
Barely There from Studio Cadet
Colossal Figures Shrouded In Clouds
Shining Reflector
West Deep
Luminatron
Skylark’s Rise
In The Realm Of Bells from Pavillions Of The Heart The Heart And Soul
Meteor Bridge (Blip No 5) from Blip!
Forever Orpheus from Chamber Of Dreams
The Echo, The Shadow, The Empty Shell from Loom 🐚
Drive Shaft from Powertron
The Sleep of Hollywood from The Summer of God’s Piano
A Bird Of The Air Shall Carry Thy Voice from Chance Encounters In The Garden Of Lights
The Chinese Nightingale from The Summer of God’s Piano
“Fontana,” lead track of “Caliban & The Chrome Harmonium,” the piano/keyboard instrumental album recorded circa 1992-2000. (mp3 attached)
“Caliban” originally released to only a few (literally) individuals, later to become more accessible.
Given Nelson’s volume of productivity, I tend to carve off the tracks I want to hear all the time and to disrespect albums as wholes.
“Caliban” is an album I would never disturb, reduce, or redistribute.
Utterly coherent and absolutely different from any other Nelson creation. A complete embrace of minimally-adorned, transfixing melodies, delivered with great feeling and nuance by Nelson as keyboardist.
“Caliban” is so playful and so moving in its frequent turns, and it is as ambitiously “naked” as Nelson ever allowed himself to be, arguably.
I hold it close and play it frequently, end to end.
Antoria from Starlight Stories
The Dream Dance Of Jane And The Somnambulist from Das Kabinett (The Cabinet of Dr. Caligari)